Jude Medal
Imperial War MuseumHistory Establishment Sir Alfred Mond, photographed amongst 1910 and 1920. On 27 February 1917 Sir Alfred Mond, an MP and First Commissioner of Works, wrote to the Prime Minister David Lloyd George to propose the institution of a National War Museum. This proposal was accepted by the War Cabinet on 5 March 1917 and the decision declared in The Times on 26 March. A committee was established, chaired by Mond, to oversee the collection of material to be exhibited in the new museum. This National War Museum Committee set when it comes to gathering material to illustrate Britain's war venture by dividing into subcommittees examining such subjects as the Army, the Navy, the production of munitions, and women's war work. There was an early appreciation of the need for exhibits to reflect personal experience in order to prevent the collections getting dead relics. Sir Martin Conway, the Museum's firstborn Director General, said that exhibits will have to "be vitalised by contributions expressive of the action, the experiences, the valour and the endurance of individuals". The museum's initial curator and secretary was Charles ffoulkes, who had antecedently been curator of the Tower of London armouries. In July 1917 Mond made a visit to the Western Front in order to study how best to organise the museum's growing collection. While in France he met French government ministers, and Field Marshal Haig, who reportedly took outstanding interest in his work. In December 1917 the name was changed to the Imperial War Museum after a solution from the India and Dominions Committee of the museum. The museum was opened by the King at the Crystal Palace on 9 June 1920. During the opening ceremony, Sir Alfred Mond addressed the King on the behalf of committee, saying that 'it was hoped to make the museum so finish that each one who took share in the war, nonetheless obscurely, would find therein an example or illustration of the sacrifice he or she made' and that the museum 'was not a monument of military glory, but a record of toil and sacrifice' . Shortly afterwards the Imperial War Museum Act 1920 was passed and established a Board of Trustees to oversee the governance of the museum. To reflect the museum's Imperial remit the board included appointees of the governments of India, South Africa, Canada, Australia and New Zealand. While the Act was being debated, a great deal of Parliamentarians felt that that museum would perpetuate an undesirable war spirit and Commander Joseph Kenworthy MP said that he would 'refuse to vote a penny of public cash to commemorate such suicidal madness of civilisation as that which was shown in the late War' . By November 1921 the museum had received 2,290,719 visitors. Relocation In 1924 the museum moved to the Imperial Institute building (demolished in the 1950s and 1960s to make way for Imperial College) in South Kensington. While this emplacement was more central and in a honored area for museums, the accommodation itself proved cramped and inadequate and in 1936 a new permanent emplacement was found south of the River Thames in Southwark. The Imperial Institute, South Kensington, where the museum was located from 1924 - 1936 The building, designed by James Lewis was the former Bethlem Royal Hospital which had been vacated following the hospital's relocation to Beckenham in Kent. The internetsite was owned by Lord Rothermere, who had in the first place intended to destruct the building completely in order to provide a public park in what was a gravely overcrowded area of London. Eventually the central portion of the hospital building was kept while it is two spacious wings were got rid of and the resulting space named Geraldine Mary Harmsworth Park, after Lord Rothermere's mother. Sir Martin Conway described the building as '...a fine building, actually rather noble building, with a great portico, a distinguishing dome, and two outstanding wings added to it for the accommodation of lunatics no longer required. This peculiar building may be made to comprise our collection admirably, and we shall preserve from destruction rather a fine building which other than as supposed or expected will disappear' . The 'distinguishing dome' was added by Sydney Smirke in 1846 and housed the hospital's chapel, and is now the museum's reading room. The museum was reopened by the Duke of York (later King George VI) in it is new accommodation on 7 July 1936. With the outbreak of the Second World War in 1939, the museum begun to gather material documenting the conflict. The museum initially remained open but was closed for the duration of the war in September 1940 with the onset of the Blitz. On 31 January 1941 the museum was struck by a Luftwaffe bomb which fell on the naval gallery. A number of ship models were damaged by the blast and a Short Seaplane, which had flown at the Battle of Jutland, was destroyed. While closed to the public the museum's building was applied for a potpourri of purposes connected to the war effort, such as a fix garage for government motor vehicles, a centre for Air Raid Precautions civil defence lectures and a fire fighting training school. In October 1945 the museum mounted a temporary exhibition, the basi since the end of the war in August, which showcased technologies devised by the Petroleum Warfare Department. These included the submarine fuel pipeline PLUTO, the fog dispersal method FIDO, and flame weapons such as the Churchill Crocodile and Wasp Universal Carrier. However, due to bomb harm to both the building and exhibits, the museum was obliged to reopen it is galleries piecemeal. The museum reopened a share of it is galleries in November 1946. A third of the galleries were opened in 1948 and a further wing opened in 1949. In 1953, with Commonwealth forces engaged in Korea and Malaya the museum begun it is current policy of gathering material from all progressed conflicts in which British or Commonwealth forces were involved. However, in spite of this elaboration of remit, the early postwar amount of time was a amount of time of decline for the museum. Dr Noble Frankland, the museum's Director from 1960 to 1982, described the museum's galleries in 1955 as appearing 'dingy and neglected' and in a 'dismal state of decay' the museum's 'numerous stunning exhibits' notwithstanding. Redevelopment The museum building showing the dome, guns, and the absence of the wings. In 1966 the Museum's Southwark building was extended to provide collections storage and other facilities, the initial major elaboration since the Museum had moved to the site. The development also included a purpose-built cinema. Two years later in 1968 a pair of 15-inch naval guns were installed in front of the Museum. Both had antecedently been mounted in Royal Navy warships (one from HMS Ramillies and the other mounted on HMS Resolution and later HMS Roberts) and had been fired in action for the duration of the Second World War. Later that year on 13 October the Museum was attacked by an arsonist, Timothy John Daly, who claimed he was acting in protest versus the exhibition of militarism to children. He caused harm valued at approximately 200,000, not counting the loss of irreplaceable books and documents. On his conviction in 1969 he was sentenced to four years in prison. By 1983 the museum was again looking to redevelop the Southwark web site and neared engineering firm Arup to plan a phased programme of works that would exaggerate the building's exhibition space, provide suitable environmental controls to protect collections, and improve facilities for visitors. The initial phase of these works, started in 1986, devised 8,000m2 of gallery space of which 4,6002 was new, and saw the conversion of what was antecedently the hospital's courtyard into a centrepiece Large Exhibits Gallery. This gallery featured a strengthened ground floor (to help the weight of very heavy exhibits), a initial floor mezzanine and second storey looking at balcony. Into this space were placed tanks, artillery pieces, vehicles, ordnance and aircraft from the First World War to the Falklands War, and for numerous years the museum was marketed as 'The new Imperial War Museum'. This atrium, with it is concentration of military hardware, has been described as 'the biggest boys' bedroom in London'. This primary phase cost 16.7 million (of which 12 million was provided by the government) and was opened by the Queen on 29 June 1989. Panorama of the atrium. Ground floor exhibits include: 'Devil' a Mark V tank; 'Ole Bill' an LGOC B-type bus, V-2 and Polaris missiles, and (sand-coloured, extreme right) a Grant tank used by Bernard Montgomery. Suspended aircraft include a Sopwith Camel, Heinkel He 162 and (partially obscured) a Supermarine Spitfire which flew in the Battle of Britain. In September 1992 the museum was the target of a Provisional Irish Republican Army attack versus London tourist attractions. Two incendiary gadgets were found in a basement gallery, but were extinguished by staff before the arrival of the fire brigade, and caused only minor damage. A second stage of redevelopment, providing a further 1,600m2 of floor space was finished in 1994 and a third stage in 2000. The latter expansion, the Southwest Infill, was partly financed by a 12.6 million grant from the Heritage Lottery Fund and provided 5,860m2 of gallery space and instructional facilities over six floors The development included the installation of the museum's Holocaust Exhibition which was opened by the Queen on 6 June 2000. This was the primary permanent exhibition committed to the Holocaust in a UK museum, and had taken five years at a cost of 5 million. Tibetan Peace Garden with the museum behind This amount of time also saw the use of the surrounding park for intents of commemoration or the promotion of peace. In 1999 a Soviet War Memorial was unveiled by the then Secretary of State for Defence George Robertson, and the Russian ambassador Yuri Fokine. The date of the unveiling (9 May) was significant as that day is marked as Victory Day in Russia. Also in May 1999 the Dalai Lama opened a Tibetan Peace Garden, commissioned by the Tibet Foundation, in the park. The garden features a bronze cast of the Kalachakra Mandala, contemporary western sculpture, and a pillar inscribed with a message from the Dalai Lama in English, Tibetan, Hindi and Chinese. In August 2009 the museum declared the creation of the Imperial War Museum Foundation. Chaired by Jonathan Harmsworth, the great-grandson of the 1st Viscount who had secured the museum's Bethlem building, the foundation is charged with raising funds to support the refurbishment of the museum's permanent galleries. At the time of the announcement, the museum was planning for the refurbishment of it is First World War gallery by 2014, the centenary of the outbreak of the war, and for the refurbishment of it is Second World War and Post-1945 galleries by 2020, the museum's own centenary. Branches From the 1970s onwards the museum begun to exaggerate onto other sites. The introductory of these sites, a former RAF and United States Army Air Force airfield at Duxford in Cambridgeshire, was opened to the public on a regular basis in June 1976. HMS Belfast, a light cruiser moored in the Pool of London, has been underneath the care of the museum since 1978. Imperial War Museum Duxford Main article: Imperial War Museum Duxford AirSpace at IWM Duxford. The Duxford branch of the Imperial War Museum houses it is huge exhibits, including the aircraft and military and naval vehicles collection. The museum has seven main exhibition buildings with almost 200 military and civil aircraft. A historic airfield, employed for military flying since 1916; the last operational flight at Duxford was made in July 1961. The museum in the first place only employed one of the site's hangars as temporary storage for share of it is aircraft collection; however, following a series of standard air displays from 1973 onwards, the museum acquired the entire internet site for it is use in February 1976. The aircraft collection includes types such as a British Aircraft Corporation TSR-2 and the only SR-71 Blackbird on display outside the United States of America. The military vehicle collection includes command caravans applied by Field Marshal Montgomery. The naval collection includes an example of an X-craft midget submarine and the Vosper motor torpedo boat MTB-71. The internetsite provides accommodation for a number of regimental museums (including those of the Parachute Regiment, named Airborne Assault, and the Royal Anglian Regiment), and likewise provides further and added collections storage. The website remains an active airfield and hosts regular air displays. HMS Belfast Main article: HMS Belfast (C35) Care of the light cruiser HMS Belfast, which had served all around the Second World War, was transposed to the museum on 1 March 1978 after Shirley Williams, the then Secretary of State for Education and Science, accepted that the ship was "a distinguishable formally presenting something of an essential phase of our history and technology". HMS Belfast at her berth in the Pool of London She had been preserved for the nation since 1971 in the Pool of London underneath the care of a private charitable trust, the HMS Belfast Trust; the initial such preservation of a naval ship since HMS Victory. The museum, along with the National Maritime Museum and the Ministry of Defence, had been involved in an earlier plan, which took place in the late 1960s, to preserve the ship, which the government on that occasion had declined in 1971. HMS Belfast was a noteworthy vessel. Launched in March 1938 she served allround the Second World War, taking part in the Battle of North Cape and firing a great deal of of the basi shots of Operation Overlord. She later served in the Korean War. The ship left Singapore on 26 March 1962 for the UK where she made a final visit to Belfast and after an exercise in the Mediterranean was paid off on 24 August 1963. In service for 24 years HMS Belfast was, in the view of historian Noble Frankland, competent of representing "a whole generation of [historical evidence]". Churchill Museum and Cabinet War Rooms Main article: Churchill Museum and Cabinet War Rooms The Map Room of the Cabinet War Rooms In 1984 the Cabinet War Rooms were opened to the public as a branch of the museum. The War Rooms are an underground complex that had been used as a command centre by the British government all around the Second World War. Located underneath the Treasury building in the Whitehall area of Westminster, the facilities were constructed before the war in anticipation of exceedingly detrimental aerial bombing of London. They became operational in 1939 and were in continuous operation for the duration of the war. The complex was abandoned in August 1945 after the surrender of Japan. The historical value of the Rooms was recognised early on, and the public were capable to visit the War Rooms by appointment. However, the practicalities of permitting public access to a web site under a working government office meant that only 4,500 of 30-40,000 annual applicants to visit the War Rooms could be admitted. During the 1970s the Cabinet Office and the Department for the Environment, which was responsible for the Rooms after 1975, raised the possibleness of the museum taking over the War Rooms. The museum was reluctant due to it is new commitments related to Duxford and HMS Belfast, but consorted in 1982. The system was keenly supported by the then Prime Minister Margaret Thatcher, an admirer of Britain's wartime Prime Minister Winston Churchill, and she opened the War Rooms in April 1984. Following a major elaboration in 2003 a suite of rooms, applied as accommodation by Churchill, his wife and close associates, were added to the museum. The restoration of these rooms, which since the war had been stripped out and used for storage, cost 7.5 million. In 2005 the War Rooms were rebranded as the Churchill Museum and Cabinet War Rooms, with 850m2 of the website redeveloped as a biographical museum exploring Churchill's life. The museum, the development of which cost a further 6 milion raised from private fundraising, makes extensive use of audiovisual technology. The centrepiece is a 15m interactional table which enables visitors to access digitised material, specially from the Churchill Archives Centre, thru an 'electronic filing cabinet'. Imperial War Museum North Main article: Imperial War Museum North Entrance of Imperial War Museum North in Manchester The Imperial War Museum North was opened in Trafford, Greater Manchester in 2002, the initial branch of the museum outside of southeast England. The museum's original floor main gallery space houses the permanent exhibitions. These consist of a chronological display which runs around the gallery's 200m perimeter and six thematic displays in 'silos' within the space. The walls of the gallery space are employed as screens for the projection of an every hour audiovisual presentation, the Big Picture. Though exhibiting less big objects than other museum branches, Imperial War Museum North features in it is main gallery a Russian T-34 tank, a United States Marine Corps AV-8B Harrier jet, and a British 18-pounder field gun which fired the British Army's primary shot of the First World War. The museum also hosts a programme of temporary exhibitions, mounted in a distinguished gallery. The project to construct a branch of the museum in the north of England, was launched in January 1999 by the then Culture Secretary Chris Smith. The new building was the original of the sectionalizations to be purpose-built as a museum. Designed by architect Daniel Libeskind, it was his basi building in Britain. Libeskind building, overlooking the Manchester Ship Canal at Salford Quays, was based on the conception of a globe shattered by conflict into shards and reassembled. These shards, representing earth, air and water, give the building it is shape. Originally budgeted at 40 million, the museum was finally finished for 28.5 million after anticipated funding was not forthcoming. The museum was furnished by local, national and European development agencies, by private donations and by Peel Holdings, a local transport and property company which contributed 12.5 million. The London building A view of Bethlem Royal Hospital in 1828 The Imperial War Museum has had three homes. Originally housed in the Crystal Palace at Sydenham Hill, in 1920, the museum moved to space in the Imperial Institute in South Kensington for the duration of 1924, and at long last in 1936 the museum acquired a permanent home in the former Bethlem Royal Hospital in Southwark. The hospital building was designed by the hospital surveyor, James Lewis, from plans submitted by John Gandy and other architects, and construction finished in October 1814. The hospital consisted of a range of buildings 580 feet long with a basement and three storeys, parallel to Lambeth Road, with a central entrance under a portico. The building was substantially altered in 1835 by architect Sydney Smirke. In order to provide more space, he added blocks at either end of the frontage, and galleried wings on either side of the central portion. He also added a little single-storey lodge, still in existence, at the Lambeth Road gate. Later, amongst 1844-46, the central cupola was substituted with a copper-clad dome in order to exaggerate the chapel beneath. The building also featured a theatre in a building to the rear of the site. The building remained substantially unchanged until vacated by the hospital in 1930. After the freehold was purchased by Lord Rothermere, the wings were demolished to leave the original central share (with the dome now appearing disproportionately tall) and Smirke's later wings. When the museum moved into the building in 1936 the ground floor of the central share was occupied by the crucial art gallery, with the east wing housing the Naval gallery and the west wing the Army gallery. The Air Force gallery was housed in the former theatre. The basi floor comprised further art galleries (including rooms devoted to William Orpen and John Lavery), a gallery on women's war work, and exhibits relating to transport and signals. The original floor likewise housed the museum's photograph collection. The second floor housed the museum's library in it is west wing, and in the east wing the map collection and stored pictures and drawings. This division of exhibits by service, and by civil or military activity, persisted until a wide-ranging redisplay of the galleries from the 1960s onwards. The firstborn hospital building is now largely occupied by corporate offices. A 1966 extension? houses the library, art store, and document archives.Redevelopments in the 1980s produced exhibition space over five floors, along with the acquisition of the All Saints Annexe, a former hospital building in Austral Street off West Square. The 1867 building, which backs onto Geraldine Mary Harmsworth Park, was in the first place an orphanage opened by local philanthropist Charlotte Sharman, then later applied as a hospital. It houses the museum's photographic, film and sound archives, and offices. Collections The collections include this photograph of Montgomery in his command tank, the tank itself, as well as Montgomery's papers and command caravan from the European campaign. The Imperial War Museum's introductory collections date back to the material amassed by the National War Museum Committee. The present departmental organisation came into being for the duration of the 1960s as share of Frankland's reorganisation of the museum. The 1970s saw oral history gain increasing prominence and in 1972 the museum invented the Department of Sound Records (now the Sound Archive) to record consultations with humans who had experienced the First World War. Since the opening of the Holocaust and Crimes versus Humanity exhibitions, a gathering section has been established to aid them. The museum maintains an online database of it is collections named Collections Online. Material from the collections are displayed at each of the museum's branches, and on five levels at the Lambeth Road site. The basement is occupied by permanent galleries on the First and Second World Wars, and of conflicts since 1945. The ground floor comprises the atrium, cinema, temporary exhibition spaces, the permanent Children's War exhibition (extending into the basement), and visitor facilities. The basi floor provides the atrium mezzanine, education facilities, and a permanent gallery, Secret War, exploring particular forces, espionage and covert operations. The second floor features the atrium observing balcony, two art galleries, a temporary exhibition area and the permanent Crimes versus Humanity exhibition. The third floor houses the permanent Holocaust Exhibition, and the fourth floor provides a further exhibition area in the vaulted roof space. From November 2010 this area will accommodate the Lord Ashcroft Gallery, exhibiting the museum's own collection of Victoria and George Crosses, and the private collection of Victoria Crosses amassed by Michael Ashcroft. Departments There are eight departments responsible for dissimilar distinct features of the museum's collections. The Department of Documents holds private papers such as letters and diaries from both person soldiers and civilians to high-ranking officers such as Field Marshals Bernard Montgomery, Sir John French and Henry Maitland Wilson. Also of note are manuscripts by war poets Isaac Rosenberg and Siegfried Sassoon. The Department holds the official British records of the Nuremberg and Tokyo War Crimes Tribunals and a potpourri of other official records. The Department also houses the UK National Inventory of War Memorials. The Art section holds much of the work of official war artists from both world wars, and contemporary art from after 1945. As early as 1920 the art collection kept over 3,000 works and included pieces by John Singer Sargent, Wyndham Lewis, John Nash and Christopher Nevinson. The collection expanded again after the Second World War, keeping around 70% of the 6,000 works devised by the Ministry of Information's War Artists Advisory Committee. The collection likewise includes a huge number of propaganda posters from numerous countries and periods.[a] In 1972 the museum's Artistic Records Committee was established to commission artists to cover contemporary conflicts. The Film and Video Archive is one of the oldest film archives in Britain and preserves a range of throughout history significant film and video material. The collection includes the official British film record of the First World War and the 1916 feature film The Battle of the Somme, which is inscribed on UNESCO's Memory of the World register. The collection likewise includes the official British film record of the Second World War, novice film and film of other conflicts since 1945. Material from the collection was used to make a number of well-known TV documentary series including The Great War and The World at War. The Photograph Archive preserves the official British photographic record of both World Wars and conflicts since 1945. It presently holds more than 6,000,000 images and the Second World War collection includes the work of photographers such as Bill Brandt, Cecil Beaton and Bert Hardy. Both the Film and Photograph Archives are official repositories for material developed by the Ministry of Defence and so include material from contemporary operations in Iraq and Afghanistan. The Department of Exhibits and Firearms is responsible for the care of the Museum's collection of three-dimensional objects. The cores of the collection are the firearms collection, collections of artillery, ordnance and vehicles, and medals and decorations such as the Victoria Cross and George Cross. Many of the department's larger exhibits are on display and may be seen in the photographs below. Other exhibits include artillery pieces whose crew won the Victoria Cross, a Lee Enfield rifle employed by T. E. Lawrence, and a Colt 1911 automatic pistol owned by Winston Churchill. A still from The Battle of the Somme, kept in the Film and Video Archive The Department of Printed Books is responsible for the Museum collection of printed materials including books, maps and ephemera. When the Museum was established the discerned historian Sir Charles Oman was given obligation for the library. In 1922 the library collection contained a reported 20,000 items and 60,000 items in 1953. Today the Museum gives the size of it is library collection as 270,000 items. The Sound Archive, in the first place named the Department of Sound Records, administers a collection of over 56,000 hours of historical recordings and was opened to the public in July 1977. The core of this collection are oral history consultations with people who were affected by war in the 20th century. This collection has been used for a series of radio programmes and books, called Forgotten Voices, in regards to war in the 20th century. The collection also includes historic broadcasts, and actuality sound effects recorded for the duration of conflicts. The Department of Holocaust and Genocide History supports the Holocaust and Crimes versus Humanity exhibitions. The section seeks to acquire archival material and artefacts to illustrate it is subject; remarkable acquirements include the Gianfranco Moscati collection which documents the persecution of the Jews for the duration of the Second World War. The division likewise answers public and academic enquiries, advises other bodies working on related subjects, represents the museum at applicable events and supports the museums' instructional activities. It likewise from time to time undertakes external consultancy, for instance assisting with the institution of a memorial room at Srebrenica in Bosnia and Herzegovina. Directors Since 1917 the museum has had six directors. The basi was Sir Martin Conway, a cited art historian, mountaineer and explorer. He was knighted in 1895 for his attempts to map the Karakoram mountain range of the Himalayas, and was Slade Professor of Fine Arts at the University of Cambridge from 1901 to 1904. Conway kept the post of Director until his death in 1937, when he was succeeded by Leslie Bradley. Bradley had served in the First World War in the Middlesex Regiment before being invalided out in 1917. He later became acquainted with Charles ffoulkes, who invited him to join the museum where he was initially engaged in assembling the museum's poster collection. Bradley retired in 1960 and was succeeded by Dr Noble Frankland. Frankland had served as a navigator in RAF Bomber Command, winning a Distinguished Flying Cross. While a Cabinet Office official historian he co-authored a debatable official history of the RAF strategic air effort versus Germany. Frankland retired in 1982 and was succeeded by Dr Alan Borg who had antecedently been at the Sainsbury Centre for Visual Arts. In 1995 Borg moved to the Victoria and Albert Museum and was succeeded by Sir Robert Crawford, who had in the first place been recruited by Frankland as a exploration assistant in 1968. Upon Crawford's retirement in 2008 he was succeeded by Diane Lees, antecedently Director of the V&A Museum of Childhood. She was noted in the media as the basi woman appointed to lead a British national museum References ^ Whitmore, Mark (letter to Frankie Roberto) (12 May 2008) WhatDoTheyKnow.comTotal number of objects in the Imperial War Museum's collection. Accessed 28 October 2009. ^ Department for Culture, Media and Sport: Monthly museum and gallery visitor figuresFigures for 2008/09 financial year. Accessed 21 May 2009. ^ "History Today - Guns and Roses : The Imperial War Museum has appointed it is original female Director Diane Lees. Juliet Gardiner asks her in regards to her resourcefulness for the museum, both in London and at it is respective outposts around the country.". www.historytoday.com. http://www.historytoday.com/MainArticle.aspx?m=33216&amid=30275177. Retrieved 2009-08-21. ^ Google Maps (2009) Walking directions to Imperial War Museum London from Lambeth North tube station. Accessed 28 December 2009. ^ Google Maps (2009) Walking directions to Imperial War Museum London from Waterloo station. Accessed 28 December 2009. ^ Imperial War Museum (17 July 2008) Annual Report and Account 2007-2008(London: The Stationery Office). ISBN 978-0-10-295346-6. Accessed 30 July 2009. ^ Kavanagh, Gaynor 'Museum as Memorial: The Origins of the Imperial War Museum', Journal of Contemporary History Vol. 23 No. 1 (January 1988) pp.81 Available by way of JSTOR at . Accessed 13 August 2009. ^ 'National War Museum. The Collection Of Relics And Souvenirs', The Times, March 26, 1917 Issue 41436; pg. 5; col C ^ Kavanagh, pp.82 ^ Kavanagh, pp.83 ^ James Mann, foulkes, Charles John (18681947), rev. William Reid, Oxford Dictionary of National Biography, Oxford University Press, 2004; online edn, Oct 2006 accessed 22 June 2009 ^ 'The War Museum. 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Full Benefit Later', The Times, 15 November 1921, Issue 42878, page 5, column D ^ 'The Imperial War Museum: Lack of Accommodation',The Times 25 August 1933 Issue no. 46532, page 13 column E ^ Peter Leach, ewis, James (1750/511820), Oxford Dictionary of National Biography, Oxford University Press, 2004 Accessed 12 March 2009 ^ Conway was addressing the House of Lords and his words recorded in Hansard. Quoted in Cooke & Jenkins, 'Discourses of Regeneration in Early Twentieth-Century Britain: From Bedlam to the Imperial War Museum', Area, Vol. 33, No. 4 (Dec., 2001), Blackwell Publishing for The Royal Geographical Society, pp. 387. Available thru JSTOR at . 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ISBN 1-901623-72-6. ^ Imperial War Museum Duxford History of Duxford Accessed 21 February 2009 ^ Frankland, Noble (1998) History at War: The Campaigns of an Historian (London: Giles de la Mare) pp.205-208 ISBN 9781900357104 ^ Imperial War Museum Duxford: The Land Warfare Hall Monty Accessed 22 June 2009 ^ Imperial War Museum Duxford: The Maritime Collection X-craft Exhibition Accessed 22 June 2009 ^ British Military Powerboat Trust MTB-71: 60ft Vosper Motor Torpedo Boat Accessed 22 June 2009 ^ For a list of aircraft, vehicles and boats at Duxford, see IWM Duxford: Aircraft and Vehicles. Accessed 26 June 2009 ^ See Airborne Assault homepage. Accessed 26 June 2009. ^ "HMS "Belfast" (Hansard, 19 January 1978)". hansard.millbanksystems.com. http://hansard.millbanksystems.com/written_answers/1978/jan/19/hms-belfast#S5CV0942P0_19780119_CWA_145. Retrieved 2009-08-21. ^ London's Changing Riverscape, page 216, Graham Diprose, Charles Craig, and Mike Seaborne, Frances Lincoln Ltd, 2009, ISBN 0711229414 ^ Frankland, Noble (1998) History at War: The Campaigns of an Historian (London: Giles de la Mare) pp.204 ISBN 9781900357104 ^ a b Holmes, Richard (2009) Churchill Bunker: The Secret Headquarters at the Heart of Britain Victory (London: Profile Books Ltd) pp 193 ISBN 978-1846682254 ^ Kennedy, Maev (9 April 2003) The Guardian Restored underground apartments opened to public. Accessed 28 July 2009. ^ Waterfield, Giles 'The Churchill Museum: Ministry of sound' Museum Practice No.30 (Summer 2005) pp.18-21 ^ McLaren, Leah (July 6, 2002), "Triumph over adversity", The Globe and Mail: R5 ^ Worsley, Giles (29 June 2002) The Daily Telegraph A globe ripped to pieces. Accessed 20 November 2009. ^ Martin, David 'Full metal jacket: Imperial War Museum North' Museum Practice No.21, December 2002, pp.24-29 ^ Studio Daniel Libeskind Imperial War Museum North Accessed 7 July 2009 ^ Manchester Evening News, 4 March 2008 Peel Milestones. Accessed 7 July 2009 ^ Glancey, Jonathan (22 April 2002) Guardian Unlimited War and peace and quiet. Accessed 7 July 2009 ^ a b "Bethlem Hospital (Imperial War Museum)". www.british-history.ac.uk. http://www.british-history.ac.uk/report.aspx?compid=65447&strquery=Bethlem Royal Hospital. Retrieved 2009-08-21. ^ a b 'Bethlem Hospital (Imperial War Museum)', Survey of London: volume 25: St George's Fields (The parishes of St. George the Martyr Southwark and St. Mary Newington) (1955), pp. 76-80 British History Online. Accessed 20 August 2009. ^ 'War Museum In Its New Home - Arrangement Of The Exhibits', The Times 16 June 1936, Issue 47402, page 14 column B ^ Archives in London and the M25 Area All Saints Hospital. Accessed 20 August 2009. ^ See Imperial War Museum Collections Online Photograph Search under Reference No. E 18980 ^ See under 'Land Warfare Hall'. ^ For an overview of the Museum's collections, see Bardgett, Suzanne 'Imperial War Museum and the history of war' at 'Making History' maintained by the Institute of Historical Research accessed 17 December 2008 ^ Imperial War Museum Lord Ashcroft's Victoria Cross Collection. Accessed 15 September 2009. ^ For more details of the architectural layout of the building see Pearce, David and Penton, Annelise (2002) 'The Imperial War Museum, London - Stage 3' The Arup Journal Volume 37 No. 2 pp. 42-47 ^ 'Montgomery documents',The Times 8 July 1982, Issue 61280, page 2 column A ^ 'Field marshal's indiscreet love letters fetch 4,800',The Times, 18 December 1975 Issue 59581, page 7 column C ^ Malvern, Sue 'War, Memory and Museums: Art and Artefact in the Imperial War Museum', History Workshop Journal No. 49 (Spring 2000) pp.177-203, page 188. Available by way of JSTOR at . Accessed 13 August 2009. ^ Foss, Brian 'Message and Medium: Government Patronage, National Identity and National Culture in Britain 1939-1945', Oxford Art Journal Vol 14 No.2 (1991) pp 52-72, pp. 70. Available by way of JSTOR at . Accessed 13 August 2009. ^ The Art Collection at the Imperial War Museum: Contemporary War Artists: Introduction Accessed 28 February 2009 ^ A number of artists commissioned by the committee, and a number of others, are described at University of the west of England: School of Creative Arts: Vortex - The Home Page of Paul Gough Accessed 28 February 2009 ^ For the early history of the Imperial War Museum film archive, see Smither and Walsh 'Unknown Pioneer: Edward Foxen Cooper and the Imperial War Museum Film Archive 1919-1934', Film History Vol 12 No. 2 pp 187-203. Available thru JSTOR at . Accessed 13 August 2009. ^ For a elaborated summary of the Film and Video Archive's holdings, see Moving History: A guide to UK film and television archive in the public sector. Accessed 14 March 2009. ^ 'Beaton's record of war revived', The Times, 7 October 1981 Issue 61049, page 7 column C ^ See Jack Cornwell and L Battery RHA ^ 'A Rifle with a Story', The Times, 18 March 1937 Issue no. 47636, page 18 column E ^ Paddy Griffith, (2004) man, Sir Charles William Chadwick (18601946), Oxford Dictionary of National Biography, Oxford University Press, online edn, Oct 2007 Oxford DNB Online Edition, accessed 3 Feb 2009 ^ 'News in Brief: Sir Ian Hamilton Gift to War Museum', The Times, 25 February 1922 issue 42965, page 6 column F ^ 'Imperial War Museum: Memorial and Record Of Deeds In Two World Wars', The Times 31 January 1953 issue 52534, page 7 column E ^ Imperial War Museum Collections homepage, accessed 1 December 2008 ^ Lance, D G 'Sound Archive of Recordings Opens to the Public', Social History Volume 2 No.6 (October 1977) pp 803-804. Available thru JSTOR at . Accessed 13 August 2009. ^ Intute database Gianfranco Moscati Collection. Accessed 19 August 2009. ^ Imperial War Museum Holocaust and Genocide History. Accessed 19 August 2009. ^ Bardgett, Suzanne (November 2007) 'Remembering Srebrenica' History Today Volume 57 No. 11 www.historytoday.com. Accessed 19 August 2009. ^ 'Mr L. R. Bradley: Former Director of Imperial War Museum' (obituary) The Times 30 January 1968 pg. 8 ^ Heal, Sharon (January 2008) 'New chief at IWM revealed' Museums Journal 108/1 p. 8 Notes a. ^ The Visual Arts Data Service (VADS), hosted by the University for the Creative Arts, provides online access to a big number of images from the Imperial War Museum's collections. The images are copyright cleared and free for use in UK education and personal research. This includes over 7000 images from the museum's poster collection, digitised and catalogued as portion of a project in cooperative relationship with Manchester Metropolitan University, and financed by the Arts and Humanities Research Council. See: Posters of Conflict, Concise Art Collectionand Spanish Civil War Poster Collection External links Wikimedia Commons has media affiliated to: Imperial War Museum Official website of the Imperial War Museum Information on the 15" guns outside the museum's main entrance Through My Eyes internetlocation (personal stories of war and identity from the Imperial War Museum's archives) 360 Virtual Tour of the Large Exhibits Gallery at Imperial War Museum London v d e Museums and galleries in London National museums and galleries British Library British Museum Imperial War Museum (Churchill Museum and Cabinet War Rooms HMS Belfast) National Army Museum National Gallery National Maritime Museum (Queen's House Royal Observatory) Natural History Museum National Portrait Gallery Science Museum Tate (Tate Britain Tate Modern) Victoria and Albert Museum (Museum of Childhood) Designated collections Courtauld Gallery Dulwich Picture Gallery Firepower The Royal Artillery Museum Horniman Museum and Gardens Hunterian Museum Jewish Museum Kensington Palace (Dress collection) Library and Museum of Freemasonry London Transport Museum Museum of Domestic Design and Architecture Museum of London (Museum of London Docklands) Petrie Museum Sir John Soane's Museum English Heritage Apsley House Chiswick House Down House Eltham Palace Jewel Tower Kenwood House (Iveagh Bequest) London Wall Marble Hill House Ranger's House (Wernher Collection) Winchester Palace National Trust 2 Willow Road Blewcoat School Carlyle's House Eastbury Manor House Fenton House George Inn Lindsey House (restricted) Morden Hall Park Osterley Park Red House Roman Baths Sutton House Other museums and galleries Barbican Art Gallery Bruce Castle Dal Universe Design Museum Estorick Collection Foundling Museum Freud Museum Garden Museum Geffrye Museum Guildhall Art Gallery Handel House Museum The Hayward Hogarth's House Institute of Contemporary Arts Leighton House Museum Old Operating Theatre Queen's Gallery (Royal Collection) Royal Academy of Arts Royal Academy of Music Museum Saatchi Gallery Serpentine Gallery Sherlock Holmes Museum Wallace Collection Wellcome Collection Whitechapel Art Gallery William Morris Gallery v d e Department for Culture, Media and Sport of the United Kingdom Headquarters: 24 Cockspur Street Ministers Secretary of State for Culture, Media and Sport Minister of State for Culture, Creative Industries and Tourism Parliamentary Under Secretaries of State (three) Executive agencies Royal Parks Agency Statutory corporations Channel Four Television Corporation Historic Royal Palaces Horserace Totalisator Board Public broadcasting authorities British Broadcasting Corporation S4C Welsh Fourth Channel Authority
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